Showing posts with label real life. Show all posts
Showing posts with label real life. Show all posts

Monday, December 16, 2013

[Thrilling Fate!] More Playtests

So this happened. Clockwise, starting with me: Me (speaking with hands), top of Mark Gagliardi's head, back of Molly Quinn's head, side of Ben Blacker's head, Ben Acker, fan-favorite Hal Lublin.
Hi all my buddies! Right up top, this week's episode of the Thrilling Adventure Hour podcast is last year's "Christmas on Mars" show, so go download that.

Now that that's out of the way, I've done two more playtests of Thrilling Fate! since my last blog post. Both were fun and productive, but I'm not gonna lie: I preferred the one pictured above, for reasons which should be obvious.

In late November, I ran a playtest at the Nerd SoCal Game Day at Game Empire in Pasadena. Besides me, we had Hamish Cameron as Sparks, Morgan Ellis as Croach, David Gallo as Cactoid Jim, Megan Arch as the Red Plains Rider, and Gina Ricker as Rebecca Rose Rushmore. Although only Morgan had really had any exposure to the source material at that point -- he did play the theme song for everyone before I got there -- we produced a very authentic-feeling Sparks story nonetheless, which is kinda the point. Plus, a couple of them are now subscribers to the Thrilling Adventure Hour podcast, so you're welcome, Acker and Blacker.

The big thing that came out of that playtest was that the PCs need cues that point them at one another. Croach had a cue that encouraged the player to mention his weird Martian anatomy; Sparks had a cue that encouraged the player to be grossed out by Croach. There was a cool moment when that synergy worked like a charm: Croach shoved his secondary esophageal tract down Sparks' throat to save him from suffocation, which naturally grossed out Sparks (and, to be honest, the rest of us as well).

But... nobody else really had that level of mechanical incentive to interact with the other characters. Worse, some had cues that were purely reactive, and that relied on other players doing something first -- like Jim's cue about deflecting praise, which is meaningless unless someone praises him. So that was a problem. I was reluctantly convinced that the best solution was to give everyone a cue for each other PC. This also seemed like a problem, but I couldn't see a way around it.

Another thing was that people were only incentivized to play to their cues when they had aspects that needed recharging, which meant that in the beginning of the game there was no incentive to do that. The simple solution, from David, was to start everyone off with all of their aspects pre-exhausted.

(It's also worth noting that in the next game that day, Gina invented the law firm of Acker, Blacker, Marc & Mark. We'll be seeing more of that sooner or later, I'm sure.)

Before the next playtest, I gave each PC five cues. These broke down like this:

  • Mannerism: Something active the player can almost always do or say in a scene.
  • Response: Something reactive the player can usually expect to have the opportunity to do or say in a scene. 
  • Connections: Two cues that tie the PC to other, specific PCs. In the end, I just couldn't do one cue with each other PC for two reasons. One, it was unwieldy -- every new PC I made would've meant n+1 cues for me to write and for the player to manage. Two, it just didn't work. The fact is that not every character in Sparks Nevada has a meaningful relationship with each other character. I figured if each PC connected to two other PCs -- which ended up being Sparks and one other -- that would make for enough of a web of interactions.
  • Dramatic: The big once-per-episode cue that should happen at a dramatic moment. Sparks announces he's from Earth. Croach discards the customs of his people in service of the greater good. Red confesses her feelings for Sparks, Croach, or Jim.
I also simplified troubles and made some cosmetic changes in the interest of making everything as accessible as possible to new players -- specifically, I renamed "fate points" to "story points" and changed "stunts" to "gimmicks." 

This was all in preparation for December 7th, when the playtest pictured above took place. And it was so rad, you guys. We had Mark Gagliardi and Molly Quinn playing their characters from the show (Croach and Pemily Stallwark, respectively), Ben Blacker playing the Barkeep, Ben Acker playing the Red Plains Rider, fan-favorite Hal Lublin playing Cactoid Jim, and Clint Trucks as Sparks Nevada. (Marc Evan Jackson couldn't make it, but Clint was a great Sparks.)

Here's another picture of that!
Left to right: Gagliardi (cosplaying as Scroach the Rocker), Quinn, Trucks, Lublin.
I will keep posting pictures of this game, because it was awesome and I can't believe I was lucky enough to run it with these people as players. Video of this will, as I understand it, be included as an extra on the DVD of the concert film that this Kickstarter helped produce. So get that DVD when it comes out. Thanks to Charlie Fonville for capturing and providing all this media. I'll post more pics when I get them, for the aforesaid reason.

Clint's a dedicated GURPS player, and I believe Hal plays D&D and Pathfinder, but the other four had no gaming experience. (Molly had a friend in high school -- which... was only a couple years ago, apparently -- who was into RPGs, but she never got into them herself despite some interest.) I'm happy to say Acker, Gags (look, I'm just gonna call him Gags), and Molly seemed to get the hang of it after a couple rolls. Blacker had an air of apprehension about him whenever I talked about mechanics, but even still he steered the Barkeep to glorious victory over the Bad News Compadres in the game's final scene. In the end, he estimated he got about 80% of it. Which is fine -- we wrapped things up in about 90 minutes, so I'm sure if we'd taken more time on the front end to discuss things he would've been closer to 100%. As it was, I was very conscious of not taking up too much of everyone's time with the game.

Fortunately, everyone had a great time. I believe this because they repeatedly told me so. The scenario was a cross between Dune, Jaws, and a classic Western bank robbery. Cactoid Jim defeated an adolescent Tremors-style sandworm by taming it, Pemily lassoed and rode an enormous Shai-Hulud-style sandworm and rode it into town, the Barkeep gave Alloy Roy some trouble, Sparks promoted Pemily to First Deputy over Croach, and Croach... Croach was Croach. Mark spoke in the Croach voice pretty much the whole time, in character or out. Charlie's video footage will give testament to that. And Hal did the intro narration! Live, in my face!


In short, the game couldn't have gone better. It was just an amazing opportunity, and I'm so grateful to everyone not just for making time for it, but for being and having so much fun. The icing on the cake was Acker telling me I knew more about their show than he and Blacker do, which... I doubt that's true, but it's awfully flattering nonetheless.

(Non-gaming tangent: I had kind of a Thrilling Adventure Weekend, actually. That Saturday night, my wife, a friend, and I went to their Christmas show, which not only heavily featured Jib Janeen the Jupiter Spy throughout but also included a Philip Fathom story. Look for it next December! They're a year behind. Anyway, the next day, my wife and I went to the Thrilling Adventure Hour holiday brunch, which was just so cool. Man. Gags and Molly told me again how much fun they'd had at the game, Paul F. Tompkins almost accidentally struck my wife in the face, I explained roleplaying games to Marc Evan Jackson (who'd been told the playtest the day before had been "the real deal"), I had a great conversation with TAH musical director Andy Paley, we talked with James Urbaniak... there were fritters... I spotted Mark McConville... Weird Al Yankovic was there... I could go on. I felt like I'd won a contest. I know I'm getting all fanboyish here, but c'mon, how couldn't I? Be reasonable!)

Okay, Professionalism Mode re-engaged.

I'll be playtesting Thrilling Fate! again this Sunday the 22nd back at Game Empire. Making another change to cues that incorporates a Danger Patrol-esque "What happened last time?" setup. Have to come up with a holiday-themed scenario first, but I have, like, all week to do that, right?

Thursday, October 10, 2013

[Atomic Robo] "It's In Layout!"


"It's in layout!"

That's been my stock answer for the past few months whenever someone's asked me what's up with Atomic Robo: The Roleplaying Game. And it's the truth, and it's been the truth, but honestly, that's all I knew until... well. Suffice it to say, there's a little more to it than that, and I think it's high time you fine people who've been waiting so patiently for its release (I am one of you, BTW) were let in on some of the details. Fortunately, Fred Hicks agrees, so we actually get to open up a bit about it.

Now, Fred wrote this and posted it on the Evil Hat website, but I'm going to repost it here because it's, uh, just, like, a lot easier than paraphrasing it all.
So, we've been saying that the Atomic Robo RPG is in layout for a while now, and that's still true. The reality runs a little more complicated than that once you get into the details, though!  
The editing and layout process has been intricate. We're looking to present a number of our examples visually, sourcing them straight from the events of the comics, and that can be slow going. We've had to rework chunks of text, a little bit here, a little bit there, over the course of it all, in order to make sure it all fit best with the layout.  
Probably our biggest speed-bump, however, has been imposed upon us by life. Our editor/layoutist found that the freelancing lifestyle wasn't paying the bills on its lonesome and, completely understandably, got himself a job to address that concern. This involved a move to a different state (time consuming), and then a focus on that new job that's kept him busy a good 72 hours a week. Due to the aforementioned intricacies of the layout, the layout wasn't done in time for these events to befall him, but it all added up to there being no more time to work on the book except for a few hours squeezed in every Sunday.  
We recognized this as unsustainable, and brought in a replacement layoutist, the incredibly talented Adam Jury. Adam has been vigorously coming to terms with the layout files as they stand (which is always rough; it seems no two layout folks do things the same way, so it's akin to getting tossed into a foreign country and asked to speak the language with no prior experience), and he's moving it forward as quickly as he can. 
The bottom line is that with the speed bumps we've had, and the spin-up time necessary to bring on new talent, we're likely to miss the end of year/Novemberish publication date that was our goal, and instead launch in early 2014. 
This isn't all bad, though. The fourth quarter of the year (October through December) is usually a very weak time for a company to launch a new game. Sales tend to be down significantly across the board. We believe a launch in early 2014 is going to give us a much stronger performance for the Atomic Robo Roleplaying Game than we would get if the time fairy waved his magic wand and made the book suddenly ready to publish in 2013. Ultimately this will all make for a stronger, better game without all that much more waiting (December's coming up fast)! 
Thanks to everyone for their time, talent, and patience in bringing the Atomic Robo RPG to fruition. We're past the rockiest part of the road, and just need time to cross the remaining distance.
So the bad news is, obviously, that the release date has been pushed back to 2014. None of us is happy about that, and I'm especially bummed about it, but it is what it is. The good news is that forward progress is still being made. Things are happening. I'm helping Adam source more art from the comics and I feel privileged to work with him, so despite the delays, the old cliche of "but the book will be better off for it!" is absolutely true.

Anyway, there you have it. It's in layout!

Wednesday, December 19, 2012

[Off Topic] Baby! Again!


That right there is Will Robert Olson, born December 18th, 2012 -- two weeks earlier than expected. Surprise! He's currently at a top-rated children's hospital in San Diego and doing great. Welcome him to the world, everyone.

Tuesday, November 1, 2011

[Greyhawk] NaGa DeMon = A Month of Late Nights

So, Nathan Russell has created NaGa DeMon (National Gaming Design Month) the gaming version of NaNoWriMo (National Novel Writing Month). 
Basically NaGa DeMon comes down to this:
  • Create the game in November
  • Finish the game in November
  • Play the game in November
  • Blab about the experience
A few things have lined up the right way for me, so I’m going to use this opportunity and get serious about taking Spirit of Greyhawk from a series of sporadic posts into an actual useable rule set.
Now, the definition of “finish the game in November” might need to be clarified somewhat for SoG—probably closer to "Blue Book Boxed Set” than the full PHB/DMG/MM.
Wish me luck and a light workload on the day-job!

Thursday, February 25, 2010

Game Industry Stuff

My buddy Bill gave me a tidbit of industry news was too good not to go all "OMGPonies!" over.

RPG News: West End Games Sold | Echoes #16

I'll skip to (for me) the really cool part:

“Plans include...the continued development of Torg 2.0"

Oh yeah. Gimme some sugar, baby.

Historically West End Games' "games" represents for me some of the watershed moments in my gaming resume':

  • Stars Wars RPG (1st edition, thank you very much)
  • Ghostbusters (one of the most publicly-underrated mechanics in gaming and I believe one of the influences that lead to the FATE system we all know and love)
  • Torg (How to REALLY do cross-genre role-playing and make everyone happy. Not since the D&D "blue box" had a box game ever blown my mind the way TORG 1.0 did.)

Without the above list, early Champions, and R. Talsorian's original Cyberpunk (the "2013" version), I wouldn't be the person I am today.

Ahhh, memories. I ran a 2 year TORG campaign off-and-on where the players (all in their early 20's by this time) actually played themselves as PCs and all had their "history" together (talk about a great reason why the party was together and all trusted each other!) As DM, the backstory was that "I" had died during the attacks and that's why I wasn't in the campaign.

(At least until they met a doppelganger "me" as a recurring NPC from the "Nippon Tech" realm and turned out to be not quite the same person as they remembered from their "Core Earth"!)

Good times.

--------
Addendum from Mike:

I talk about "industry stuff"? Well, I will today with this addendum, just to make this post FATE-relevant (although the prospect of Torg's return is worth posting about, FATE or no).

Evil Hat's struck a deal with Alliance to distribute the Dresden Files RPG. "So what?" you ask. I'll tell you what: Alliance is the leading (I believe) comic and game distributor in the country. This means you should be able to walk into your FLGS and just find the thing on the shelf along with everything else they get from Alliance (which is, like, everything). And if it's not on the shelf, they can easily get it through their usual channels. No special orders through IPR necessary.

That's kinda huge news for Evil Hat (and for us FATE fans). So is this:
In addition to the Dresden Files RPG, Alliance will also be offering Evil Hat’s backlist of products – including the award-winning Spirit of the Century RPG
Now that's pretty awesome -- maybe even more awesome. How awesome? Go look at Evil Hat's catalogue. That awesome.

So are these covers to DFRPG:


And I say all of this never having read a word of Jim Butcher.

Tuesday, June 23, 2009

Real Life Intrudes

Sorry for the radio silence -- my parents were in a car accident last week, so I've been up here in LA since Thursday helping out. They both got pretty banged up (my mom, with a broken hand, got the worst of it), but it's nothing permanent.

The consequence of me being such a good son is that our scheduled "SotS" game didn't happen on Saturday, and there's a good chance that this week's swashbuckling playtest won't happen either, all of which means, well, not much to write about right now. Stay tuned.